FCC Lets Hollywood Turn Off Your Output Jacks: Via Threat Level.
Hollywood will soon have the power to remotely disable the analog outputs on your set-top box, under a decision by federal regulators on Friday intended to prevent home recording of new movie releases.
The move by the Federal Communications Commission grants cable and satellite providers the power to block consumers from viewing just-released movies in an analog format through a process known as Selectable Output Control. Hollywood requested SOC powers as a condition of allowing providers for the first time to release movies to their in-home customers while the film is in theaters.
The Motion Picture Association of America said its member studios would not authorize the early movie releases unless it won the ability to deploy Selectable Output Control. The reason: Analog video signals can easily be recorded, while digital video standards include a copy protection scheme that lets providers set a no-copy flag on the signal.
Digital rights group, Public Knowledge, said millions of older televisions, including 11 million HD sets, would be affected, a number the MPAA disputes. Owners of those devices would not have the luxury of being able to view the latest theater blockbuster at home through video on-demand services.
“The FCC is allowing the MPAA to control your television,” John Bergmayer, Public Knowledge staff attorney, said in a telephone interview. read more... »
Comcast Customers Urged To Opt-Out of Settlement: Via Slashdot.
funchords writes "As a settlement to the class-action lawsuits over Comcast's blocking of users' Internet traffic, Comcast stands to pay 'up to' $16.00 to every subscriber who makes a claim at their settlement website and declares, under penalty of perjury, that their online activity was for a lawful purpose consistent with applicable copyright and other laws. Robb Topolski, the veteran networking engineer who kicked off the case when he discovered the blocking back in 2007, says that the proposed settlement doesn't make sense, especially after the US Court of Appeals for the District of Columbia Circuit ruled this month that the US Federal Communications Commission didn't have the authority to enforce its Net neutrality principles on Comcast. 'You paid about $50 a month for the service, and the amount that Comcast stands to return is up to about 50c per month for each month that it blocked traffic,' he wrote. 'If that tiny amount of money is compensation, then there is no penalty to Comcast for interfering with its customers, read more... »
Will your big-screen Super Bowl party violate copyright law?: Via Law & Disorder Section - Ars Technica.
An offhand comment the other day by a friend caught my attention—"Did you know that you can't watch the Super Bowl on a TV screen larger than 55 inches? Yeah, it's right there in the law."
With the Colts and Saints set to do battle in Super Bowl XLIV, this seemed worth looking into as a public service. Could it be that some of those giant flat panel TV sets now finding their way into US living rooms are actually violating copyright law?
Read Original Article:(Via Law & Disorder Section - Ars Technica.)
SOC's slippery slope: good enough for movies, why not sports?: Via Law & Disorder Section - Ars Technica.
Back when we had our debate with cable's top lobbyist Kyle McSlarrow over whether to let Hollywood block analog streams to your home theater setup, I asked a worried question. If the Federal Communications Commission does give movie studios and cable companies the green light to implement Selectable Output Control (SOC) on "premium" early run movies, who else might petition for it next? read more... »
MPAA to FCC: critics of video blocking proposals are lying: Via Law & Disorder Section - Ars Technica.
The movie studios have a new Holy Grail, it seems: Federal Communications Commission permission to cable companies to shut down the analog streams on video-on-demand movie programming. As Ars readers know, we've been covering this issue for a while. But the Motion Picture Association of America's latest letter to the FCC pulls out all the stops, rhetoric-wise, calling criticisms of this scheme "complete and utter nonsense that only can be intended to stir up baseless fears among consumers that their equipment will suddenly go dark and be unusable for any purpose." read more... »
5 million Star Trek pirates vs. 1 FCC broadband plan: Via Law & Disorder Section - Ars Technica.
Paramount Pictures says that, in the months following the theatrical release of Star Trek, the media company tracked more than five million IP addresses that downloaded one of six camcorded copies of the movie. The first was in Russian, but it was followed by editions from the Philippines, the Ukraine, Spain, Germany, and finally the United States. Who does Paramount blame for this? Pretty much the entire Internet, it seems, including google.com, youtube.com, Microsoft's bing.com, yahoo.com, and, of course, millions of 'Net users.
Read Original Article:(Via Law & Disorder Section - Ars Technica.)
DRM by any other name: The latest from Hollywood: Via Freedom to Tinker.
Sunday's New York Times had an article, Studios' Quest for Life After DVDs. To nobody's surprise, consumers want to have convenient access to "their" media, wherever they happen to be, without all the annoying restrictions that come into play when you add DRM to the picture. To many people's surprise, sales of DVDs (much less Blu-ray) are in trouble.
In the third quarter, studios’ home entertainment divisions generated about $4 billion, down 3.2 percent from a year ago, according to the Digital Entertainment Group, a trade consortium. But digital distribution contributed just $420 million, an increase of 18 percent.
Given that DVDs are really a luxury good (versus, say, food or electricity), the 3.2 percent drop seems like Hollywood is getting off easy. read more... »
Hollywood Pressuring FCC on Selectable Output Control Again: Via EFF.org Updates.
Our friends at Public Knowledge have been doing a great job in Washington, D.C., fighting against the MPAA's efforts to selectively disable the high-definition analog (i.e., "component" video) outputs on your cable box. In essence, Hollywood is telling the FCC that it won't give Americans early access to blockbuster movies unless the FCC lets it kill your analog outputs.
Public Knowledge has an update today, letting us know that Hollywood is back at the FCC pushing for this anti-consumer, anti-innovation change in the FCC rules: read more... »
Supreme Court Serves Up Remote-Recording Victory: Via Threat Level.
The Supreme Court on Monday let stand a copyright case testing whether cable operators may permit customers to store television programming on company servers to be viewed at a later time.
The issue concerns an August ruling by a federal appeals court, which lifted (.pdf) an injunction against Cablevision Systems blocking it from offering customers a recording service that stores programming on the cable company’s own servers instead of on viewers’ in-house playback devices.
Hollywood and television programmers maintained Cablevision’s service directly infringes their exclusive rights to both reproduce and publicly perform their copyrighted works. read more... »
Into the DTV era, with no broadcast flag mandate: Via EFF.org Updates.
Today (June 12, 2009) marks the completion of the U.S. transition to digital television, as TV stations switch off their analog transmitters.
Just a few years ago, some broadcasters and movie studios argued that this transition couldn't happen without a DRM mandate -- a legal requirement for devices to obey the broadcast flag and apply DRM restrictions to free, over-the-air broadcasts. And they said they would hold up and obstruct this transition unless they got their way.
The DMCA has already been used to restrict the ability to produce innovative, useful products that copyright holders disapprove of. read more... »